Cameron Diaz’s Gambit Movie Review

Gambit Star Cast: Cameron Diaz, Alan Rickman, Colin Firth, Stanley Tucci, Cloris Leachman and Tom Courtenay
Director: Michael Hoffman
From the posters to the film, there is something ancient anent ‘Gambit’. Released in November 2012 in Europe and America, it has tap the Indian theatres a good 10 months late. A remake of a 1966 movie of the same name starring Shirley Maclaine and Michael Caine, this comedy-crime caper does not present anything exceptional to the original premise.

The film begins somewhere in Texas where a harassed art appraiser, Harry Deane (Colin Firth) is making plans to dupe his insolent boss, the multi-millionaire media Moghul and art collector Lord Lionel Shahbandar (Alan Rickman).

Harry teams up with an artist and ‘forger of fine art’ Major (Tom Courtenay) to forge a Monet painting – Haystacks at Dusk, which is thought to be lost sometime amid the Worldwide War II. Harry then ropes in a Texas Heifer Girl, PJ Puznowski (Cameron Diaz) in order to create a backstory that would convince Shahbandar to pay millions for the rare image.

But then PJ Puznowski turns out to be eccentric and unpredictable, thereby jeopardizing Harry’s plans.

The uncut drama evolves on how Harry tries to outdo Shahbandar and eventually cons him.

A classic case of style past narrative, the screenplay by Joel moreover Ethan Coen indulges in goofy farce and situational comedy instead of an intelligible plot. The highlight is the nicely choreographed set patch involving Harry in the multiple rooms at the Savoy Hotel.

Director Michael Hoffman dishes distant a rather average bland film. Even after leaving a trace from the very beginning, this con expert is seldom slapstick but is consistently amusing, never much more than that. The humour looks and feels ancient; from another era altogether and probably that’s reason it is entertaining.

Probably, what does not work for ‘Gambit’ is the deficit of chemistry between stars Colin Firth and Cameron Diaz. Uninspiring Firth keeps his portrayal grounded in downbeat realism, Diaz never convinces anyone that she is a sassy trailer-park princess, and Alan Rickman when a nudist, does garner a few laughs, but overall, the rest of the characters especially the ‘Japanese’ have cartoonish characteristics which is simply is not credible at all.

So you may giggle, gurgle or chuckle along the way, but it’s hard to be interested in anything that happens on screen. Watch it protasis you have vacuity better to do.

Buzz Rating: 2/5